Browsed by
Tag: Hamish McLaren

How To Photograph A Comet

How To Photograph A Comet

Comet against a setting sun.

Taking a caption of a comet can be difficult, and requires massive professionalism as it only occurs ones in a lifetime due to their unpredictability.

With the help of the modern equipment and the latest technology, one can be able to photograph a comet. The best moment to view a comet is when it is at its largest size in the sky. Several steps are involved in the due process of taking a capture of a comet as discussed below.

First, having the best instrument is a precaution. Here, you need a modern gear that uses the latest technology. You will need the best gears like digital SLR camera coupled with custom built sixteen inches Newtonian reflector to record the sun-grazing comet’s intricate tail.

Mercury Comet’s are much easier to photograph.

Secondly, you need to choose the best location with an unobstructed view. One need to be aware of the best date, time and position of the active incoming alien comet.

The third step is taking the shot. Set your stand at an angle that is appropriately depending on your height. Configure the focus of your instruments by carrying out a twenty minutes exposure of a nearby star along the area of the caption. There is the need to enlarge the image for a wider and clear vision. With readiness, take numerous pictures of the passing comet with pictures having a maximum interval of twenty seconds. Caution should be observed as prolonged exposure will lead to the viewing of blurred images due to the earth rotation. For clear and visible results, one should take a less neat pile of shots of the comet and then process the images later.

The final step involves processing the captured images. Any poor quality captured images should be deleted from the rest apparently captured captions. Only the best shots of the comet will be left with intriguing features. Stacking software is necessary for removing the dark flames and then piling the images into a single image.

man and woman preparing for a date.
3 Tips Every Low Light Photographer Needs to Know

3 Tips Every Low Light Photographer Needs to Know

Tips Every Low Light Photographer Needs to Know

Low light photography is not something that professional photographers do at night. Low light photography can be done at different times of the day. Low light photography is set apart by one main element. Low light imagery is done when there is a low level of ambient light. Low light can come from both inside the home and outside.

The Three Levels of Low Light Photography

1) The first type is visible. The low light happens to be in shadows during the day. You can be under a tree. You can be under a bridge. It does not matter. It is left up to the person to make the most of this light.

2) The second type is low light. Low light happens during sunset. Everything around you is visible. Take a step inside. You will see places which are dark.

3) The third type is dark. This is when only the objects with the most light can be seen.

Top 3 Tips

Check all your conditions. What is visible? What is not visible? Our eyes tend to have a much broader range. Professionals who deal in photography call this range “dynamic range”. You may think you have enough light for areas full of shadow. You may not. You may have to adjust the lens. Adjust the camera for blurred imagery. Invest in VR/IS technology. Adjust your ISO settings.

Are you shooting in an area which does not have much light? Decrease your aperture. Adjust your ISO settings. Stay close to your image. Stabilize yourself. Learn how to balance your camera. Try to capture the picture in RAW. It can always be adjusted later.

During sunset be careful of autofocus. Invest in a full frame camera. Invest in a monopod or tripod. The Tripod will give you the lowest noise for your ISO settings. Tripods will bring your shutter speed down.

Use a tripod for night time. Movement counts during the night. It is best to decrease movement as much as possible. Subject too dark? Try using a flashlight. The subject will have more light. You will get a better picture. Get in the habit of using manual focus.

Your setting will need adjusting. Shooting during the day is different than night. Try the infinity setting. It may work. It may not. It all depends on what you are taking a picture of. You can go back and adjust something later. Do not move your tripod once your focus is established. If you do, it’s going to through the whole thing.

Practice Makes Perfect

Keep at it. Do not give up. It is a great time to experiment. See what works and what does not. Low light is a good time to get some amazing pictures, maybe even sell a few pictures. You will find your niche. Your technique is going to improve. Practice is the key to your success.

How To Photograph Fire with Manual Settings

How To Photograph Fire with Manual Settings

Learning to properly photograph fire can be a very tricky endeavor. However, there are tricks and tips to pick up get that perfect shot.

Before you even decide to snap one photo you must make sure your camera is properly set up. To do this you must first adjust the shooting mode on your camera. After you have adjusted your camera to the proper shooting mode turn off the flash as it is not needed when photographing images of fire.

After you have adjusted the cameras shooting mode and turned the flash off you need to then
go out and practice with your cameras settings. As the saying goes practice makes perfect and that goes for photography as well, especially when it comes to photographing fire as it can be tedious. Moreover,in order to become the best photographer and come out with the best pictures you should be taking non stop shots and play around with exposure and long exposure.

After you have had gotten the settings adjusted, set it on the best mode for capturing fire and turned off the flash you should adjust the cameras shutter speed to longer than before. By lengthening the speed
you will allow the shutter to stay open longer so a fair amount of more light can be allowed in thus capture the flame in its movement as well as presenting a blurry, more interesting effect. A more memorable effect even perhaps.

In the final steps to adjusting your camera you must decide whether or not to choose a high ISO setting or a low. Most professionals will recommend using the high ISO setting as it will allow the cameraman to perfectly capture the flames. Another suggestion pertaining to a high ISO setting is to turn said setting to at least 1600 so as to make the image appear altogether more fluid. Now as for the lower of the setting it can also be used, unlike with the higher setting, without the use of a tripod.

Photography of any subject can be difficult at first and fire is in itself all the more work but with much practice you can learn to capture a moment of time within the flames of a photo.

Learning to properly photograph fire can be a very tricky endeavor. Click to Tweet
ACM Group Addresses Universal Importance of the Closer’s Role

ACM Group Addresses Universal Importance of the Closer’s Role

Chad Winters has always been interested in learning more about the principles and philosophies responsible for the continued success of any organization, even when that organization seems to have very little in common with his own organization, ACM Group. The founder of a remarkably successful sustainability and brand-building firm, Mr. Winters has been a close observer of the San Francisco Giants for the past few years, particularly due to the organization’s consistent ability to outperform expectations while winning title after title.

 

According to Mr. Winters, organizational balance and continuity are critical components that support the efforts of any well-run organization. Mr. Winters has deeply valued balance and continuity over the years since he first founded ACM Group, and he immediately recognized the role these qualities have played in helping the Giants win three World Series titles since 2010. With an exceptional core group of players in place — along with a rare level of continuity among the team’s executive personnel and coaching staff — the Giants have created a culture in which the whole is always greater than the sum of its parts.

 

As a keen observer of the club, Mr. Winters saw how a sudden lack of balance affected the entire organization during a 2016 season that began with such promise. The instability of the bullpen led manager Bruce Bochy — one of the most respected leaders in the game — to make the kind of questionable decisions Giants fans had only seen from opposing dugouts and not from their own.

 

As Mr. Winters points out, Bochy did not suddenly become a poor in-game tactician; the instability of the bullpen and especially the lack of a reliable and lights-out closer made it nearly impossible to confidently develop and implement an effective strategy for winning close games. Despite the fact that 2017 is an odd year, Mr. Winters is staunch in his belief that the Giants will contend for the World Series after an offseason in which they will surely secure the bullpen help they lacked during the 2016 campaign.